Posts tagged ‘Print’
I’ve been in the studio in brief and sparse bursts and while I haven’t come close to accomplishing the number of projects I had hoped to by this time, I am very proud of what I have created. I’ve been working on drypoint printmaking. It’s a time consuming and laborious effort (but not prohibitively so) both from the artist’s and printer’s perspective. The end result, however, is unlike anything else, even among prints.
These are not copies of existing images on paper but the result of a completely print-based effort. The image is engraved into a copper plate by hand with a diamond tipped scribe. That plate is, in a sense, the original image. Each plate is then inked and prepped by hand for each pressing of each individual image. Because of this, each image in an edition is unique. The ink is captured in the burs and grooves engraved into the plate and with all the excess wiped clean, the image is all that remains. Because of the softness of the plate and the immense amount of pressure from the press, the plate degrades fairly quickly until the image is barely discernible on the plate’s surface. While some might see this as a drawback, I appreciate that it keeps editions to a tidy limit. I’ve always had a problem with people charging top dollar for digital color copies that can be printed and reprinted endlessly. With these prints, if there is a run of six, someone can essentially walk a way with one-sixth of the original.
The printing was handled by Chad Andrews who operates a pair of antique presses under the name Paper +. As the printer is not just duplicating the image but interpreting it, a working relationship has to be established that allows for the artist to understand the process and the printer to understand the artist’s vision. I think we’ve reached a good understanding of each other’s dialect in the overlapping languages of art and printmaking.
Both the process and image are a welcome departure from what I’ve been doing with pen, ink and watercolor and while I don’t expect or intend to get away from watercolors entirely, it’s a nice switch for a while. When time permits, I can see myself going back and forth between the two and seeing how one informs the other.
These prints will be available for purchase directly from me in very limited quantities at the Roc City Tattoo Expo (Aug 20-22) and Absorb Music Festival (Aug 28). If there are any left after these events, I can be contacted directly about purchasing them.
You wouldn’t think it would take so long for me to put one up, but I’ve now posted a gallery. Click the link or look up and click the box that says Gallery in the green bar up top.
It’s not necessarily current and not remotely complete but it’s something. I’ll still post my pieces on the main page when words seem necessary or the image timely but check the gallery once in a while too. If nothing else, it’s an organized way to see the pieces collectively.
I’ll be adding to it shortly as I’ve got some really exciting and very limited print projects in the works, thanks in no small part to the guidance and printing skills of artist and educator, Chad Andrews. I’ll let you know more about that soon.
Now that we’re getting all too comfortable taking antipsychotics for almost every perceived illness under the sun, from ADHD to depression and bipolar disorder, what does pharma offer for everyday concerns like…calling your mother? This ad for AstraZeneca’s Seroquel represents a new low in irresponsible attempts at positioning antipsychotics as a happy pill for every problem, feared problem and now even non-problem.
Oh and in case you missed it, the word schizophrenia is in muted type in the corner — snuck in just so they’re not technically marketing off label. That’s what it’s come to, just tack the name of the approved indication on the ad somewhere and sell a drug as the cure for daily life. If this is the shape of pharma marketing to come, what’s next?
As if it’s not bad enough to push the idea of using some of the most dangerous drugs on the market to cope with daily tasks and concerns, they’ve abandoned the idea of even pretending to condone judicious dosing and chosen instead to encourage buyers to take it to the limit. There is a reason the boldest type on the ad says “Up to 800 mg” and the arrow on the chart is maxed out. Even beer commercials tell you to drink responsibly, while this ad just tells you to take more. But hey, when it comes to Seroquel dosing, their slogan says it all, Aim High. If there was ever a line regarding responsible drug marketing, they’ve crossed it.